I followed the techniques of Karen Eckmeier for making Accidental Landscapes. I've made tiny ones in the past, like this ornament for my daughter and son-in-law. It's maybe about 3 1/2 by 4 1/2 inches.
Nearly all the fabrics are scraps. I did buy a piece of Grunge for the back, appropriately when I was on vacation near Lake Michigan. The batting is a leftover piece of Quilter's Dream Cotton Select.
There's no reason that this quilt should have taken as long as it did. It wasn't difficult. Most of the delay was lack of confidence. I built the layers slowly in between other projects. I'd put some strips up on the wall and spend a few
Then I layered the foreground, slowly, slowly.
I like the bits of embroidery that add detail and depth on Accidental Landscapes. I thought it would be a simple task. But I hadn't thought of it that a quilt this size would need larger scale embroidery to be proportionate. That stymied me. Before starting the embroidery I quilted the project with my walking foot. To plan the placement of the beach grass I laid paper strips on the quilt and took a photo to refer to as I stitched.
I started with a few stems of grass
and then gradually built them up until I was satisfied. I used 4 strands of floss for the longest stems, and reduced the bulk to 3 or 2 strands for smaller stems or those closer to the water. I used a modified stem stitch, bringing the needle up closer to the starting point than is common, to make the stitch as thick as possible. I took the quilt with me on several road trips. It was an easy take-along project.
A few weeks ago, when I was Gramma nesting while waiting for our new grandson, I suddenly realized that I was almost done. It was a perfect project to work on at a time when I didn't want to start a new mess. In just a couple of days, I completed the stitching, or at least stopped myself from getting carried away with it.
After we arrived home from cuddling our little grandson (and his big brother who was born right after I started the quilt!), I chose a sandy colored fabric from my stash for the binding.
I took it out for a photo shoot on our garage.
I thought I was truly finished, but then I remembered that I have a wonderful supply of ceramic buttons (by artist Sandra Lance--you can find her work under images online, but I think she has suspended her business for now) that I like to use on art quilts. I found two that looked good among the dunes. (I usually try to use three, but these looked the best.)
So now it is truly done.
This quilt will be living at my daughter and son-in-law's house. As I said earlier, it was meant for my daughter's office, but by now she has found something else to fill the space there, and I know her family will enjoy it at home. (And I can visit it, too.) I was almost hoping she didn't want it anymore, but hey, now that I know I can do this, I could make another one for me in less than three years! Maybe in solids?
The best thing I learned from making this quilt is that the technique does work for large scale quilts. Really, all that is needed is a good supply of fabrics to choose from. The embroidery is fun and works very well after quilting, even with building up fairly dense stitches.
Let's look at that finish one more time!
I'm linking up today with crazy mom quilts for Finish it up Friday and Confessions of a Fabric Addict for Can I Get a Whoop Whoop.
Happy Quilting and Happy Finishing! And if you live anywhere within driving distance of Lake Michigan, Yea for MI Lake MI!