Saturday, May 30, 2020

I Got Squirreled

I had finally gotten some gumption back and was quilting right along when I got squirreled. Now this is a DrEAMi post (Drop Everything And Make it), but it's not a quilting project. It's the project that pulled me AWAY from quilting for a couple of weeks. There is sewing involved, though, and if you stick with me to the end, maybe there will also be a couple of quilting photos. And this is a kind of neat family story of this strange time of stay-at-homeness.

Anyway, a few weeks ago my brother called me to ask if I could sew something for him: sails for a model sailing ship. He buttered me up first, saying that it would be easy for me because it was just like sewing the clothing I used to make. "Just cut the fabric using the pattern pieces and hem them." Well, sure I could do that. 

First, what's interesting to note, is that this ship is a model my dad bought about 25 years ago as a project to fill a difficult time in his life when my mom entered a nursing home in a new city, and he moved from their home to a condo near my brother's home and Mom's care center. The model is the Bluenose II, a Canadian schooner that was built in 1963 to celebrate the original Bluenose, which was a fishing and racing schooner, I think, built in the early 1920's.The Bluenose II is still in use to celebrate the maritime history of Nova Scotia. You can read about it at the schooner's website. The model was a product of a company called Artesania Latina, which I think is no longer in business. Dad built the hull, tiny board by tiny board. When he got to the rigging and sails, he quit. For years, the ship sat on a table in his basement. Recently, my brother took it home, thinking it might be a good project to work on someday during retirement. He didn't get around to it until life as we knew it shut down. Suddenly, he had all kinds of time on his hands. Someday had come. 

So let's look at the boat as he started working on the masts.

More rigging:

 And then here is where I came in. So the package arrived in the mail with the pattern, instructions, "sail" cloth, and little coil of rope. I wish I had taken a photo. The envelope was all wrinkly, like it had been sprayed with something. Disinfectant, maybe? The tape that sealed it was totally loose except for two inches at one end. I do know the postal service between our two cities was going through an especially hard time, so who knows what happened. Luckily, a check with my brother indicated that there was nothing missing. 

And the instructions. Oh, wow, the instructions! It's a good thing I did not see these before I agreed. But you know what? My brother did charm me. Oh, yes he did. He followed those instructions to the letter. The underlined parts are what I was to do. But read the whole paragraph. (The little side note is his.) Yikes!

So anyway, initially I thought I was cutting out sails and hemming them. But then more was revealed. I'd have to sew little parallel lines on each sail to mimic the seams of real sails. . Oh, yeah and then I'd have to sew a tiny rope around each sail. By hand!. And everything was tiny, tiny. What had I gotten myself into?!!

Here's a drawing of the sails:

And the pattern:

The first thing I did was search for thread. Remember, this was during stay-at-home orders, so I had to work with what I had on hand. I auditioned some and sent my brother a photo for his input. 

The Superior Masterpiece thread in Granite on the right was a perfect match for stitching the hems. It's a fine thread, so that was good for the scale of the project, too. The rope on the left is an olive-gray. I had just the right color in a hand quilting thread to match it. At first my brother said he wanted thread to match the sails for the parallel lines, but by the time he sent the package he said he had seen a photo of a model online with black for the lines that he liked better. Well, of course he did because that would be a doozy to sew straight (ha!). I laid out some black and gray all-purpose thread, and then a variegated gray quilting thread that I had left over from a project (Superior King Tut in Pumice). I thought the black was too stark. My brother chose the King Tut. Yay!

Using a scrap, I made a practice hem to see how it would work out. The instructions were to double-fold a .5cm (that's two folds of 2.5 mm!!) edge and top-stitch to hem. The good thing was that the fabric was crispy, so it held a pressed edge well, but it was also ravelly. I was able to stitch the tiny hem, but could not see myself in that much stress for all of them with the threat of everything raveling. So instead, I added a bit to the seam allowance and carefully traced and cut out the sails (there was no room for error as the fabric piece was about the same size as the pattern). My finished seams ended up being a tad over 1/8 inch, which was just fine with my brother, although a model ship builder would probably be appalled at the scale.
 After I hemmed the sails I laid each one out on its pattern piece and traced the "seam" lines on the sails with a fine mechanical pencil, as I knew there was no way I could get straight lines by eyeball or with a seam guide.
Sewing all those lines was a slow task. I had not realized it before, but sewing through just one layer of fabric is a different kind of sewing. When you sew two (or more) layers together, the intertwining of the top and bobbin threads happens in between the layers. With a single layer of fabric, there is no place for that to happen. I had to turn up the top tension all the way on my machine to get the threads to lay straight on both sides of the sail--important, as in a model, the ship can be viewed from both sides. And, again because of scale, the stitches had to be very tiny. I had to rely on my trusty seam ripper to take out some lines when the tension failed. I also had to take apart the tension mechanism on my Featherweight several times to get it working properly again. Thanks to multiple videos online I was able to do that, but my machine is finicky, and often the numerical dial didn't want to seat. The definition of insanity is to do the same thing over and over again expecting different results. Well, I was insane, but it worked and eventually, after a lot of sweating and thinking,"Oh, no, I've wrecked it, and now I have to get it repaired, but the repair shop is closed for who knows how long," the mechanism would pop back together. Whew. Now I know my machine a whole lot better. 
Pay no attention to that 6 on the dial. The tension dial was actually turned all the way tight. (This was before I had taken it apart and adjusted it. Now my numbers actually match the tension, but if you know Singer machines, you know that's just arbitrary anyway.) The lines look a bit wavy on the crispy fabric from this angle, but they are straight enough when you look at them straight on. 

Eventually, the sails were all hemmed and lined:
So far, so good. I had to work up my courage for the next step--the hand sewing to attach the bolt ropes with eye splices to each edge of all the sails. (Yes, I do know some ship terminology now.) I started with a sample piece again. (Photos are ones I sent to my brother for his approval of the process.)
I had to whip thread around the edge, piercing the rope to keep it in place, but also allow enough room for tiny rings to fit through to attach the sails to masts and other things (that I don't know the names of). I also tried lashing the ends of the rope together, but it was really too thick to suit me so I tried other means of joining them when I actually sewed them to the sails--mostly stitching them just past each other with a dot of glue to keep them from raveling.The eye splice is that little loop you see at the corner that gets attached to ship parts (no, I don't know the term) by lines (no, I don't know the term for those, either).

Here is the other side:

The stitches are a little more angled, but they are consistent, so I think it's fine. I have since thought of a way to do that stitching that would be invisible, but I think I'd still be sewing these if I had used it. 

And one more view with a paper clip standing in for a ring to make sure there was enough space to attach the rings:
Once I had that done, I worked several hours a day for a week--I kid you not--to do this tiny stitching. I quickly found that I needed to do it in natural daylight. My tired old eyes could not do the job in lamp light. But it got done. Here are all the sails, along with a flag. 
Oh, yeah, the flag. That was just one more teensy project my brother came up with. There is supposed to be a Canadian flag on the ship, but since we had been working on this project during stay-at-home time, he decided on a quarantine flag instead. He had printed out a paper one, but could I maybe make a fabric one? Hmm. A sewn flag would have looked more like a quilt. Too bulky. So I scrounged around and found a scrap of fusible web and just fused tiny squares of fabric scraps (yup, I've got those) together so that it would look like a proper flag from both sides. I was beginning to think my part of the project would never end! But it did!! And I'm pretty proud of my part of it. 

Here's a close-up:

And more sail shots:

And the back of one:
Because of the condition of the package when my brother sent me the sail materials, he was not comfortable with having me mail them back to him. One morning, feeling antsy with staying at home, he called and said he was going to drive out to get them so he could finish the ship. We had previously talked about meeting halfway, but I was not comfortable leaving my house without a way to stop at a "comfort station" if I needed it on the way. So denying himself coffee so he wouldn't have to stop (see, you can talk about any subject during a quarantine), he drove nearly 90 miles from his home to pick up the sails on my front porch. We visited through the front door glass for a few minutes and then he turned around and drove home. (Wish I had thought to take a photo.)

He sent me progess photos of attaching the sails to the ship, which I think was probably as much work as making them. 

After attaching the first three sails, he decided to keep one furled to make it a little less cluttered and maybe more exciting. 
More sails:

And done!! 
I think the last sail is furled behind the others.
So there you have it: my squirrel project during quarantine. Well, actually, our squirrel project, but I don't think my brother knew it was a squirrel. An amazing amount of work! Now I really appreciate what all goes into making a model. When I was a kid, my dream was to build a miniature doll house. (I think that dream came from seeing the fairy castle at the Museum of Science and Industry in Chicago.) I never got around to it (except for a cardboard one that got destroyed in a minor flood in our basement when I was about 11 or so), but I have to say I'm still fascinated by miniatures. I'm not into ships so much, but the idea is the same, right? Building something tiny with as much detail as possible to resemble the real thing. But my eyes are not what they used to be, and while I learned a lot about making model sails, but I doubt I will make them again. I also realize that the doll house dream is just an appreciation now. 

If you've been keeping track, you know now that my father, my brother, and I have all had a hand in this project. But there's more. The sewing machine is the one my mom got second-hand when she married my dad nearly 69 years ago. She left us more than 22 years ago, but her Featherweight is still my primary sewing machine. So this was truly a project that our whole family had a part in. Isn't that wonderful? 

It was fun texting back and forth, sharing photos with my brother, and keeping my dad up-to-date on the progress. And then, actually finishing a model started so many years ago! I wonder how many hours we spent in total. Mind-boggling, probably. My dad is thrilled. Of course, being practical, he says he's just glad it's done because he "paid a lot for it." It's on display at my brother's house for now. Maybe when we are all a little freer to move around, my dad can show it off at his condo. He did get to see it during a physically-distanced quick peek.
I'm linking up with Sandra at mmm! quilts for DrEAMi (Drop Everything And Make it) even though it's not a quilt. Hey, it was a squirrel after all, and does relate somehow to Canada, too, so I think she'll be okay with it. And once I got these sails done, you can bet I went back to quilting with a new appreciation for those big (ha ha) quarter-inch seams. I even got two tops together, and one of them basted. Here are just a couple of peeks at those. 

I'm wondering what's got you distracted these days. There's plenty to distract. But I hope it is something good, and maybe even something quilty.

(Just a reminder: I'm not affiliated with any company, so when I mention products, services, or stores I'm just documenting what I used or liked.) 

Sunday, May 24, 2020

Color Wheel Exploration

This month I have continued with the online workshop led by Rachel Hauser with her book The Quilter's Field Guide to Color. We've been working with the color wheel, not going into all the scientific theory, but using it to broaden our palettes. First up was making some of the basic arrangements of color: analogous, complementary and triadic. I based my color combinations on a 12-color scheme. You know: red, yellow, orange, green, blue, purple, and the colors in between. For each arrangement, we were to choose an anchor color. I chose teal. I forgot to photograph my swatch wheel, but you can see the swatches in the block photos below. Here are my analogous swatches with my interpretation in fabric of the colors next to each other on the wheel: blue-green, green and yellow green (or teal, emerald, lime)

For a complementary scheme, here's my pairing of blue-green with red-orange (or teal and papaya/coral):

And then, triadic, with blue-green, red-violet and yellow orange (or teal, boysenberry, goldfish):

What these photos don't show is the exploded fabric bomb that was left in my living room and family room and maybe even on the bed in the guest bedroom by the time I was done with this exercise. I was most comfortable with my choices for the analogous color scheme, and I can see myself making a quilt in this scheme. I've always had a little difficulty with complementary because I feel like it can be really strong, but I suppose that's where value and proportion of colors comes in, which is likely an exercise for another day. I'm not at all sure about the triadic scheme. These are not colors I would ordinarily put together, but that's the point of the process, right? To explore some ideas that are new for me. Here they are all together without their labels:

After that initial dip into the color wheel, we moved on to a full wheel for the next exercise.
Here is my attempt to arrange the basic color swatches with all the ones in between:
At some point either all those swatches on the right ran off to plan a mutiny or my mind just got really tired. But if you look closely, you can see there is a fairly complete circle in there somewhere. You can see that I was all hung up on values and not quite sure what to do with some of those swatches. After that task, we were asked to make a 12-color wheel using some specified colors and then make a block of four Bear Paw blocks in a rainbow arrangement of fabrics matching those colors. Here's my wheel, not very wheel looking, I know, but you get the idea. I started out with a couple of different colors for the pink and minty green, but I had to change them based on my fabric availability.

And then the blocks:

Isn't that a fun way to make a color wheel? I didn't sew my blocks together, as I have other plans for these eventually. How about a closer look with the labels?
And some close-ups. (I love color names!)
Autumn, Peony, Boysenberry
Tiger, Pineapple, Lime
Clover, Aloe, Teal
Cornflower, Bahama, Blackberry
I enjoyed that! Moving right along, we dove into the variations of hues for the next exercise: hue, tint, tone and shade. Here were my picks for swatches of each of the six basic colors of the wheel:
Then we expanded them into 12-color wheels. I skipped the first column, with the basic hues since I had already worked with that in the previous exercise. I found that it was pretty easy for me to choose the basic six colors, but expanding them to 12 was more challenging. Here is my pastel wheel:
I was surprised to find that I had enough fabric to represent the wheel, because I'm not particularly fond of pastels.
 Here's the dusty tints wheel:
I knew it would be fairly easy for me to make up a fabric wheel. I must have a bazillion dusty fabrics from the 80's and 90's. Those were about the only fabrics we could get at that time, it seemed. Everything had a grayish look to it. I still have so many bits, and find myself rejecting them a lot in projects because they can really look dull to me now, especially with more modern fabrics. But I do use them in rainbow scrap projects.
And then the jewel shades:
It blows my mind that there is no yellow in this wheel. But every one I picked did not look right to me. So of course, I had to look up why. Well, it seems that when you mix black with a color to make a shade, you get green when you add it to yellow. Who knew? I didn't. I'm sure that a jewel colored quilt would look fine with a spark of gold, though. Here are my fabrics:
And finally, the blocks I made to go with these. I only made one pastel, because I just wasn't feeling it. And then, a couple more in dusty tones.
For the pastels, I used Pigeon, Lemon, Ballet, Buff and Pistachio. The dusty blocks have Pewter, Cayenne, and Asparagus and Malachite, Coral, Gold and Mauve.
I ended up making four jewel blocks.
Top left: Moss and Raisin
Top right: Iris and Sunrise
Bottom  left: Ruby and Hunter
Bottom right: Ruby, Olive and Denim

I did try to follow some of what I learned about pairings from the first color wheel exercise, but mostly I just had fun with it. I think my biggest challenge (problem? opportunity?) was the limitations of fabric designs/color I have available. It turned out that my favorite of these blocks is the bottom right one above. I paired a modern print with a tiny, very old sprig print that I would never have thought to do before I made this block. It somehow works!

Okay, if you're still with me here, one more exercise: a simple one focusing on variations in value with a monochromatic color scheme. I really enjoyed this one, and am tempted to cut up all my bits of fabric into a zillion Bear Paw blocks just following value. First I took a photo of all my swatches and turned it into grayscale because I have a really had time detecting differences in value without doing that. 

Then I made four sets of monochromatic color schemes. (We only had to do one, but I'm an overachiever. Ha! Or maybe just having fun.) 
In grays:
Maybe not quite enough difference in the darker blues, but it worked out okay.
I chose three fabrics for most of the blocks even though I show four colors for each. Some of the background fabrics seem to be a cross of the two lighter swatches. 
Top left: Pistachio, Seafoam, Apple Green, Moss (I tried to mix warm and cool greens.)
Top right: Ice, Surf, Sea Turtle, Teal
Bottom left: Cloud, Sky, Peacock, Mineral
Bottom right: Buff, Orange, Flame, Cloves (I do like that orange one. I have lots and lots of rust from back in the olden days. Maybe I can resurrect them with some lighter oranges in a quilt someday.)

And here they are in gray:

So, whew! Those are my workshop exercises for the month. I was going to add a couple of photos of other things I'm working on because I actually have two(!!) RSC19 quilt tops finished. But this is plenty long enough. I'll share those soon. 

I hope you have had a good weekend, and if you are in the US, I hope you are having a wonderful extended Memorial Day weekend. Please, please, please be careful and safe. And, as our country tries opening up, remember, in the words of Eleanor Roosevelt, "With freedom comes responsibility." We are not out of the woods with this whole virus thing, and we must do all we can to keep each other safe. Wear a mask, stay far apart, wash your hands. (My advice? Stay in and quilt.)

I'm linking up with Cynthia at Quilting is More Fun than Housework for Oh Scrap, as there are a lot of old scraps in this post.

(Just a reminder: I'm not affiliated with any company, so when I mention products, services, or stores I'm just documenting what I used or liked.)