It's been so long since I finished this quilt, I have to dig deep to remember what I was going to tell about it.
Because I overthink EVERYTHING, the process of cutting, arranging, and eliminating fabrics took longer than you'd think for what should be scrappy. I started with my scraps, cutting the two sizes of squares and then supplemented with other pieces. That part went okay. But then after cutting some of the squares for the low volume background, I got sort of stuck. What I liked about Lori's background fabrics was that everything seemed kind of milky white. My backgrounds varied a lot from bright white to ivory or even grayish. And then some seemed to have too much pattern in them. I spent a lot of time (probably too much) laying out fabrics next to each other, taking photos and viewing them in gray tones, and then eliminating or turning fabrics over to the reverse side to calm them down.
I finally figured it all out, and then making the blocks went pretty quickly. I used my mini design board to make a few blocks at a time, trying to keep fabric placement pretty random. I did keep the fabrics the same in the frame parts around each small nine-patch.
I flipped some of the low volumes after this photo. |
I worked at it little by little in between the rounds of the Stay At Home Round Robin during the early part of the year, and quite quickly the top was done. I did the quilting after I finished the SAHRR quilt.
I have to say that I was a bit disappointed with my version at first. The creaminess of the colors that I liked so much in Lori's quilt, was missing. I had more deeper tones and brights, and my background still looked more ivory than milky, at least in some lights. But after quilting it, I grew to like it more. I think it might be fun to make another someday, maybe with a more limited color palette and a consistent background. But this is a happy quilt that I think is appealing in its own way.
If you followed my SAHRR quilt, you will recognize the backing of this one. I bought enough for both quilts, which was really economical. I've had to buy backings more often than not lately as I don't have a lot of large enough pieces in my supply to make scrappy backings. I buy a piece a little over 2 times the length of the quilt and then sew a seam to get the right width. There's usually a sizable chunk cut off of one side. This time I bought a piece a little over 3 times a quilt length and had enough fabric to piece both quilts with little left over.
I quilted diagonals across the nine-patches with my walking foot and then did free-motion meandering in the background. Interestingly, the diagonals seemed to keep the quilt from shrinking up when I meandered. I pieced the binding randomly from fabrics that are in the top, one of my favorite ways to bind a scrappy quilt.
I signed my initials and the date around the bottom right corner. They show a bit here with the gray washable marker, but after washing they disappeared for the most part so you'd have to really look if you wanted to find them.
So here are the stats (with some other photos thrown in):Pattern: Checkerboard Chain by Lori Holt (link is above)
Block size: 6 inches finished. Size: 54 1/2 inches square before quilting; 54 inches after quilting; 51 1/2 inches after washing. I've had comments about how much my quilts shrink with washing/drying. I wash them on cold/gentle and machine dry on low until thoroughly dry because I figure that's how they will be handled by recipients. I would imagine that over time, the quilt loosens up a bit so that is a bit larger than right after washing.
Fabrics: All sorts from my scraps and fabric supply
Binding: Scrappy, cut 2-5/8 inches wide.
Batting: Hobbs 80/20
Washed and crinkly |
We have flowers! About 3 weeks early. |
Machines: Singer Featherweight for piecing; Singer 115 Treadle for quilting and first seam of binding.