This quilt has been a long time coming.
It all started with a block I made during the Quilter's Color Quest workshop led by Rachel Hauser during the pandemic in 2020 (that seems SO long ago) following her Quilter's Field Guide to Color book. At the time I didn't have a clear plan for the block. It was supposed to be inspired by a personal story. (You can read about it here.) I knew I wanted to make more of this style block eventually.
During 2022, I made lots more blocks following the colors of the Rainbow Scrap Challenge hosted by Angela at SoScrappy. I chose yellow for the centers and each month paired the designated color with a variety of other colors from my rainbow solids bin. I bought some Kona cotton in white for the backgrounds. Then I discovered that I had actually made the original block with Kona Snow, so I had to do a little surgery to replace it. By the end of the year, I had enough blocks for a quilt and knew I wanted to use a black and white stripe in some way with more solid white to make a quilt. I already had a fun retro 60s/70s print for the backing that I had bought in February 2021 as an option for another Bear Paw quilt. I chose a 1/4 inch stripe to make sashing strips 1 1/4 inch wide.
I put the blocks up on my design wall pretty randomly. I may have made a couple of changes after taking this photo, but it's about how the layout ended up.
Then I cut about 24 sashing strips 6 1/2 inches by 1 3/4 inches (to finish at 6 by 1 1/4) and sprinkled them around here and there. A "rule" I set for myself was to not place any striped fabric at the outer edge because I wanted a white border with a striped binding. I ended up using 22 of the strips. I didn't want to go crazy with the stripes and detract from the blocks. This seemed like the right amount.
To plan the rest of the sashings I drew the quilt blocks out on graph paper.
After making the drawing, I decided I wanted the outer sashings to be a little wider for the border. (I avoid long pieces for borders when I can. I prefer to incorporate them into the blocks.) I drew a rectangle around the interior blocks and then marked out the sashes for those: 6 1/2 by 1 3/4 inches (to finish at 6 by 1 1/4 inches) and 7 3/4 by 1 3/4 inches (to finish at 7 1/4 by 1 1/4 inches). I needed to resize some of the sashes on the edges making them extra long, extra wide or both. Some were cut 8 3/4 by 2 1/2 inches, some 8 3/4 by 1 3/4 inches, some 7 3/4 by 2 1/2 inches and some 6 1/2 by 2 1/2 inches. It sounds complicated but I just calculated them from my drawing and scribbled the sizes and how many I needed along the edge of the page. This is truly my kind of improv (hard to explain): precise in numbers but plan-as-I-go. Anyway, it all turned out well when I laid it out.
Then it was just a matter of making the blocks, each with two or three sashings around them and sewing all the blocks together. No borders needed.
One little tip I have about cutting the striped fabric: I made sure that my seam lines landed somewhere in the middle of the black stripe so that there was always black at the seam--even if only a smidge--to set it off from the white sashing.
I did a meander for the quilting. There was already so much going on both on the front and the back that it seemed easiest. Then the fun of the striped binding...
I'm always amazed how a pattern appears on the backing from the repeat of a large print. I'm glad I took the time to pattern-match the seam because it would have bothered me if it was off in the photo--even though that would not be noticeable any other time.
But we really need some glamour shots. We took a walk to the gardens at our Veteran's park and were surprised at how fast the flowers have come out, even with the pretty awful drought we have going on. (We have some great flower volunteers to make this happen in our township.) So here are some pretties along with the Stats.
Pattern: My own spin on the Bear Paw block, with a little square in the paw made with partial seams, and sashes around it.
Fabrics Variety of solids (mostly Kona, but some others, including maybe a few solid backsides of some prints), Kona white (background), Stripes by Riley Blake, and retro print fabric from Joann.
Thread Piecing: Superior Masterpiece in Granite; Quilting: Coats and Clark Machine Quilting Cotton Thread in Nugrey; Handsewing on binding: Superior Treasure in Antique.
Machines Singer Featherweight for piecing; Singer Treadle 115 for quilting and machine work on binding.
9 comments:
This is such a fun and happy finish! Congrats!
pretty colors - love the striped black/white in it
What a great finish - it is stunning! xx
I love the random striped sashings, and the beauty shots in the park, too. The striped binding was definitely a great choice. All that color looks great together without looking muddy or messy. And really, those sashing pieces were a stroke of genius.
How beautiful, a thoroughly modern bear paw! The back is awesome, and how nice to piece and quilt it on vintage machines. Congrats on a wonderful finish!
squeal! all this color and pattern is so satisfying... love a black and white stripe with nearly anything too!
LeeAnna
I enjoyed following along as you participated in the Color exploration in 2020, and then seeing what you've done with the blocks since then. This is beautiful with all the solids and I love the addition of the black and white stripe, too. The backing is perfect! Beautiful finish, JanineMarie!
You made a series of excellent design decisions in the making of this quilt. Congrats on a fabulous RSC finish!!
Stunning finish and an excellent photo shoot. Well worth the wait! Glad to have you back, Janine.
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